She just wouldn't admit it. Eventually, she told me the truth. She was possessed by an idea, this one, very simple idea, that changed everything. That our world wasn't real.
That she needed to wake up to come back to reality, that, in order to get back home, we had to kill ourselves. Cobb : Very impressive. Cobb : I know this bridge. This place is real, isn't it? Ariadne : Yeah, I cross it everyday on the way to the college. Cobb : Never recreate places from your memory. Always imagine new places.
Ariadne : Well, you gotta draw from stuff you know, right? Cobb : Only use details, a street lamp or a phone booth, never entire areas.
Ariadne : Why not? Cobb : Because building a dream from your memory is the easiest way to lose your grasp on what's real and what is a dream. Ariadne : Is that what happened to you? Cobb : Hey listen to me. This has nothing to do with me.
Ariadne : Is that why you need me to build your dreams? Arthur : So, a totem. It's a small object, potentially heavy, something you can have on you all the time Ariadne : What, like a coin?
Arthur : No, it has to be more unique than that, like - this is a loaded die. Arthur : Nah, I can't let you touch it, that would defeat the purpose. See only I know the balance and weight of this particular loaded die. That way when you look at your totem, you know beyond a doubt you're not in someone else's dream. Ariadne : That's some subconscious you've got on you, Cobb!
She's a real charmer! Arthur : Oh, I see you've met Mrs Cobb. Cobb : How's he doing? Ariadne : He's in a lot of pain. Cobb : When we get down to the lower levels, the pain will be less intense. Ariadne : And if he dies? Cobb : Worst case scenario? When he wakes up, his mind is completely gone. Saito : Cobb. I'll still honor the arrangement. Cobb : I appreciate that, Saito, but when you wake up, you won't even remember that we had an arrangement. Limbo's gonna become your reality. You're gonna be lost down there so long that you're gonna become an old man.
Saito : Filled with regret. Cobb : Waiting to die alone. Saito : No. I'll come back. And we'll be young men together again. Ariadne : These aren't just dreams.
These are memories. And you said never to use memories. Cobb : I know I did. Ariadne : You're trying to keep her alive. You can't let her go. Cobb : You don't understand. These are moments I regret, the memories that I have to change.
Ariadne : You mind telling your subconscious to take it easy? Arthur : Where were you? What happened to you? Cobb : Got blocked by a freight train.
Arthur : [to Ariadne] Why would you put a train course in the middle of a downtown intersection? Ariadne : Why, I didn't. Arthur : Where did it come from? Cobb : Let me ask you a question, why the hell were we ambushed, huh? Those were not normal projections. They've been trained, for God's sakes! Arthur : You're right. Ariadne : How could they be trained? Inception — The art of motivating someone to per cent willingly do what you want. Includes expert manipulation and planting ideas through extensive research of a target.
In their own dreams, Architects can also bend physics any time they want i. Multiple Architects are needed to go safely deeper into another dream.
The more detailed and realistic, the better. It can come in the form of a monster, an evil ex-spouse or heavily armed goons. For extractors and inceptors , this requires extreme discipline to suppress in jobs. It also creates a risk of Projections killing a dreamer and sending them back into reality — or straight into Limbo. Limbo — A cheesy wedding dance, and not waking up after dying in a sub-dream. We did that for years. We built our own world. Ariadne: How long were you stuck there?
Dom Cobb: Something like fifty years. Ariadne: Jeez, how could you stand it? The problem was knowing that none of it was real. Eventually it just became impossible for me to live like that. Ariadne: And what about for her? Dom Cobb: She had locked something away. Something deep inside her. Limbo became her reality. Dom Cobb: To wake up from that after, after years, after decades, to become old souls thrown back into youth like that.
Eventually she told me the truth, that she was possessed by an idea. This one very simple idea that changed everything. That in order to get back home we had to kill ourselves. Ariadne: What about your children? Dom Cobb: She thought they were projections, that our real children were waiting for us up there somewhere. Dom Cobb: She was certain there was nothing I could do. No matter how much I begged, no matter how much I pleaded. She wanted to do it, but she could not do it alone.
She loved me too much. So she came up with a plan on our anniversary. Now, now you listen to me. Now just, just step back inside. Come on, step back inside, so that we can talk about this.
At least think about our children. Think about James. Think about Phillipa now. Dom Cobb: What does that mean? Mal: I love you, Dom. Dom Cobb: Why did you, why would you do this? We are going home to our real children. Mal: A train that will take you far away. Dom Cobb: James and Phillipa are waiting for us! Dom Cobb: Sweetheart, look at me!
Jesus Christ! Dom Cobb: She had herself declared sane by three different psychiatrists that made it impossible for me to try and explain the nature of her madness. So I ran. Ariadne: Your guilt defines her. You are not responsible for the idea that destroyed her. Robert Fischer: I have no idea. Dom Cobb: Right now! I said right now! Robert Fischer: Five-two-eight-four-nine-one. Dom Cobb: You have to do better than that. Arthur: Which helps us how? Dom Cobb: The longer the issue the more powerful the catharcisim.
Dom Cobb: We need to shift his animosity from his father to his godfather. We should charge Fischer a lot more than Saito for this job. Dom Cobb: I think we run with Mr. Eames: Whose Mr. Arthur: Bad idea. Dom Cobb: The second we get into that hotel and approach Fischer his security is going to be all over us. We run with Mr. Charles like we did on the Stein job. The subject realized he was dreaming and his subconscious tore us to pieces. Eames: Excellent, but you learnt from it right? The rest is on you.
Fischer, right? Pleasure to see you again. Rod Green from marketing. Blond Woman: Leaving. In case you get bored. That is unless her phone number really is only six digits. Ariadne: Who, or what is Mr.
Which involves attracting a lot of attention to us. Arthur: Mmm. Dom Cobb: [to Fischer] My name is Mr. Dom Cobb: I specialize in a very specific type of security.
Subconscious security. Robert Fischer: You talking about dreams? You talking about extraction? Which is making his subconscious look for the dreamer. For me.
Quick, give me a kiss. Arthur: Yeah, it was worth a shot. We should probably get out of here. Dom Cobb: You feel that? Pay attention to the strangeness of the weather, the shift in gravity.
None of this is real. Can you do that? Remember your training. Go on. If you want my help you have to remain calm. Now, I need you to work with me, Mr. I believe they have you sedated, and if you, if you pull that trigger you may not wake up. You may go into a further dream state. You remember the training. Remember what I said to you. Give me the gun?
Robert Fischer: God, why is it so hard to remember? Listen, it takes years of practice. I need you to focus and try and remember what that is. What is it, Mr. Robert Fischer: A combination. They demanded the first numbers to pop into my head. It can represent anything. We should try hotel rooms. What was the number, Mr. Try and remember for me. This is very important. Ariadne: So, do you use a timer?
Arthur: No, I have to judge it for myself. Ariadne: Well, how will you know? Arthur: Because music warns me and then when the van hits the barrier of the bridge that should be unmistakable, so we get a nice synchronized kick. Ariadne: Well, why not?
Arthur: Because the van will be in free fall. I mistook you for a friend. Saito: Why? Eames: Because how he acts will tell us if Fischer is starting to suspect him just the way we want him to. Browning: Ah, Robert. To get the alternate will? Browning: Fischer Morrow has been my entire life. Why would I? Robert Fischer: What taunt? Browning: The will, Robert. Robert Fischer: What, that he was disappointed?
Browning: But he was wrong. You can build a better company than he ever did. I need you do the same thing to him that he was going to do to you.
Robert Fischer: Alright. Ariadne: [confused] Wait, whose subconscious are we going into exactly? I told him it was Browning so he could be a part of our team. Arthur: And I will lead them on a merry chase. Eames: Just be back before the kick. Arthur: Go to sleep, Mr. Dom Cobb: Well, the truth we want Fischer to learn. Ariadne: I mean wants down there for you?
Dom Cobb: Eames, this is your dream. I need you to draw the security away from the complex. Do you understand? Dom Cobb: Not me. If I know the route everything could be compromised. Ariadne: I designed the place.
Saito: I could do it. First noticed it about twenty minutes ago. I thought it was the wind up here. Dom Cobb: Yeah I hear it. Eames: So what do we do? Dom Cobb: We move fast! Ariadne: Sixty minutes. Dom Cobb: Could they make that route in under an hour? Ariadne: They still have to climb down to the little terrace. As with all three levels, the layout has been designed by Ariadne, who taught each team member her designs before the mission began.
Everyone involved should already know their way around the dreams, with the exception of Fischer who's the mark and Cobb who's scared his subconsciousness will betray him with a angry version of his dead wife.
The dreamer of this city is Yusef, and because the chemist needs to pee, the weather is rainy. To successfully execute inception, Cobb can't simply tell Fischer to break up his father's company - the idea needs to grow organically in the target's mind. Consequently, the purpose of Level 1 is gently introducing the core concept Saito has requested. Eames impersonates Fischer's Uncle Peter, the one trusted figure in his life, and reveals a secret last will and testament residing in a safe that can disassemble the company if Fischer so chooses.
Eames also drops the suggestion that Fischer's father did love him, setting up reconciliation in a later level. The second will is a complete fabrication by Cobb's group.
During the interrogation, Fischer is also forced to generate a random 6-digit number that will act as the password to this imaginary safe on Level 3.
The city level doesn't completely go to plan. Like many rich folks, Fischer's mind has been trained to detect and defend against infiltration, which manifests as armed soldiers following Cobb's group wherever they go, and Saito is hit in the firefight. To make matters worse, Mal or, more accurately, the guilty projection of Mal in Cobb's subconscious is already wreaking havoc, sending a freight train to attack the invaders.
When the city part of the heist is done, Fischer is sedated again within the dream this time and everyone apart from Yusef he's needed to keep the city level active plugs into another shared dreaming machine. There is no machine, of course, but the process takes everyone down to the next layer.
When it's time to exit, Yusef will play music to count down the upcoming kick, then drive off a bridge to jump everyone out of Level 2. The second layer takes place in a fancy hotel, with Joseph Gordon-Levitt 's Arthur the dreamer on this occasion.
Facing unexpected resistance from Fischer's projections, Cobb wheels out the risky Mr. Charles stratagem. This particular ploy involves Cobb putting on the facade of "Mr. Charles" and pretending to be in charge of Fischer's mental security. Cobb tells the businessman he's dreaming to earn his trust and plays the role of a projection designed to keep Fischer safe.
The tactic works, and Fischer comes to trust Cobb's team, mistakenly believing them to be part of his inner security system.
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